Bande à part

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

À bout de souffle

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

Hiroshima mon amour

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Le beau Serge

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

Le Dernier Métro

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

L'Année dernière à Marienbad

In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

Les Cousins

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

Vivre sa vie: film en douze tableaux

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Jules et Jim

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Muriel, ou le Temps d'un retour

In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.

Une femme mariée: Suite de fragments d'un film tourné en 1964

A superficial woman finds conflict choosing between her abusive husband and her vain lover.

Het Gangstermeisje

A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.

Léon Morin, prêtre

Barny, although a Marxist, is intrigued by the mysteries of religion. In confession, she teases a priest, Léon Morin, but he is a young and intelligent man and ready to discuss anything.

História de amor (últimos capítulos)

Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

Andalousie

Having fallen out with his girlfriend Dolorès, Juanito leaves for Mexico, where he becomes a famous matador.There he meets a Viennese singer, Fanny Miller, who falls for him so much so that she intercepts the letters Dolorès keeps on sending him. In desperation, Dolorès devotes all her time and efforts to dance and she becomes the celebrated dancer Estrellita. After a series of misunderstandings and ups and downs, the sun of Andalusia will finally reunite the two lovebirds.

Le Livre d'image

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The We Should Game

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Place de l'Étoile

Éric Rohmer's short for the portmanteau film Paris vu par (Six in Paris, 1965), concerning a haberdasher and his umbrella. Convinced he has killed a man, Jean-Marc flees and spends an anxious few days waiting for the death of the stranger to be reported in the newspapers...

Sanning/Lögn

Auto-hipnosis

A failed writer relives the past since he's unable to write something new. His search for inspiration will make him delve into his mind and face his internal conflict.