La Cicciolina – Göttliche Skandalnudel

The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.

Chambre 999

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

In Search of Tomorrow

A nostalgic journey through ’80s Sci-Fi-films, exploring their impact and relevance today, told by the artists who made them and by those who were inspired to turn their visions into reality.

The Capote Tapes

A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.

"I Will Revenge This World With Love" - S. Paradjanov

The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov's house becomes a place of inspiration and a point of no return to toxic reality.

Madonna: Truth or Dare

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

David Lynch: Don't Look at Me

A documentary about American director David Lynch from the Cinéma, de notre temps series.

Das Boot – Welterfolg aus der Tiefe

In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.

Inža

A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.

Gena Rowlands — Unabhängig im Kino und im Leben

An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.

Mylène Farmer : sur les pas d'une icône

Steve McQueen: The Lost Movie

The story of the abandoned production of 'Day of the Champion', a movie about Formula 1 which was set to film in 1966.

Nuremberg : des images pour l'histoire

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

Die Liebe des Hans Albers

He is considered to be one of the greatest German film stars, Hans Albers, known as "Der blonde Hans", a man made for the cinema. He was an actor, singer, idol of the Germans - and darling of the Nazis. Nevertheless, he could not protect his great love, the Jewess Hansi Burg. In 1938 she had to flee to London from anti-Semitism in Germany. But Albers himself stayed in Germany and continued to film, driven by a desire for a career and the call of money. In 1946, one year after the end of the Second World War, they meet again: Hansi Burg returns to the land of the murderers of her parents in the uniform of the British Army and visits Hans Albers in his villa on Lake Starnberg. He lives there with another woman. The rival has to go, then there is a tense debate. For a day and a night, the blonde Hans has to face uncomfortable questions and even more uncomfortable truths.

Tina Turner - My Songs. My Life

War Photographer

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

So Unreal

A cinephile collage, both historical and philosophical, of films on artificial intelligence, cyberspace and virtual reality, from 1981 to 2001: cinema as a way and an instrument to cope with humanity's euphoria, anxiety, fear and obsession with technology.

¡Zarpazos! Un viaje por el spanish horror

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Locaciones: buscando a Rusty James

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

Hitlers Hollywood

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)