Me To Play

As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."

Einstein on the Beach: The Changing Image of Opera

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

You Can’t Watch This

Peer through the lens of a high profile political dissident, banished from the online world. After introducing the viewer to each of the five characters, the film recounts how each individual then came to lose their access to social media and the affect it had on them at the time, and since the event. With their stories told, they present the broader issues raised by their media de-platforming and what they foresee in their future in media and the whole of Western Culture at-large.

Princess Diana: The Mourning After

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

Adolphe Appia le Visionnaire de l'Invisible

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Pavarotti, chanteur populaire

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Das Wikipedia Versprechen – 20 Jahre Wissen für alle?

In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?

The Sound of Identity

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Discovering Hamlet

Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.

باد دبور

An investigation of government censorship in Iran.

Verbotene Filme

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

The Cheviot, the Stag and the Black, Black Oil

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

Passing Strange

A young black artist leaves his Los Angeles digs and travels to Europe to find himself. A theatrical stage production of the original Broadway musical.

Otello

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

National Theatre Live: Skylight

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

Silencio radio

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.

Rusalka

Patrice Chéreau, Pascal Greggory, une autre solitude

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

CORONA.FILM - Prolog

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

L'Opéra

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.