QT8: The First Eight

A detailed account of the life and artistic career of legendary filmmaker Quentin Tarantino, from his early days as a video club manager to the scandalous fall in disgrace of producer Harvey Weinstein. A story about how to shoot eight great movies and become an icon of modern pop culture.

La parfaite victime

After investigating the Gilbert Rozon affair together in October 2017 in the wake of the #MeToo movement, journalists Émilie Perreault and Monic Néron are teaming up to sign this hotly current documentary that examines the failures of the justice system in matters of sexual assault.

When We Speak

Three incredible stories of women who risked everything to tell the truth. Their stories became worldwide scandals and took a personal toll on each of their lives

Beyond Boundaries: The Harvey Weinstein Scandal

Examine the rise and fall of Hollywood media mogul Harvey Weinstein following the scandal in 2017. Learn from exclusive interviews with those who knew him in the industry, and a discussion of the start of the #MeToo movement.

Untouchable

The inside story of the rise and fall of Harvey Weinstein reveals how, over decades, he acquired and protected his power even when scandal threatened to engulf him. Former colleagues and accusers detail the method and consequences of his alleged abuse, hoping for justice and also to inspire change.

Working With Weinstein

Documentary exploring the harassment charges against Harvey Weinstein and his relationship with the UK film business.

Served: Harvey Weinstein

Justice is SERVED. Disgraced media mogul, Harvey Weinstein, was sentenced to 23 years in prison for sexual criminal acts. Witness the rise and fall of one of Hollywood's most powerful men.

She Said

New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia - Fest der Völker

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia - Fest der Schönheit

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

A Great White Bird

This film documents the efforts of a group of Canadians and Americans to save the whooping crane from extinction. They display great determination in their dealings with this independent, pre-Ice Age creature. The issues of wild animals imprinting on people and the preservation of wild animals in captivity are examined in this film. Produced in cooperation with the Canadian Wildlife Service and the United States Fish and Wildlife Service.

Growing Pains

For a day we follow a group of children in a kindergarten through their eventful reality. Suddenly the children’s free play is obstructed by a series of tests, which become an encounter with the reality that soon awaits them.

Dancing on the Edge of a Volcano

On August 4th, 2020, the catastrophic explosion at the port of Beirut leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a troubled film crew face an overwhelming decision: to continue the production of their movie or abandon it? As they face the aftermath of the catastrophe, they are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse. Dancing on the Edge of a Volcano chronicles their struggles and highlights the crew's resilience as they strive to find meaning and purpose in their work amidst the devastation.

Black Country, New Road - “Live at Bush Hall”

At the peak of their success, the lead singer of ‘Black Country, New Road’, Isaac Wood, left the band. This concert film documents the group’s triumphant return at three consecutive shows in Bush Hall, performing new music centered around recovering from loss and their continuing friendship.

Long Way to the Top

Long Way to the Top is a story about the trials and tribulations of working musicians and life on the road. From unexpected tour line-ups to the undying love of their fans. Featuring interviews with Grizfolk, Weezer, Def Leppard and more.

For Love & Country

Country music has always been Black music. For Love & Country examines the genre's past through the lens of a new generation of Black artists claiming space in Nashville, and transforming country music in the process.

Amal

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Teatro Brasileiro: Origem e Mudança