Santa Rita de Sampa

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

Bruscky: Um Autorretrato

Drag Queens em Cena: A Expressão de Almas Artísticas

L'età Sperimentale

Amparo de Valença: Uma Fé Inabalável

Vivencial I

Short by Jomard Muniz de Britto

Piracema - uma carta de amor ao teatro

O Médico e a Propriedade

Chico Science e Nação Zumbi - Especial MTV

Baixada Bow Arqueria: uma história do tiro com arco em Nova Iguaçu

A Guerra do Pente

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

Crenças no ensino

Fragmentos

Uma das Marias

Black Out - A História Apagada no Palco da Arte

O Futuro da Memória: 60 anos do Instituto Histórico Geográfico de Nova Iguaçu

O Terceirão dos Lobos

La Ursa

NADA PODE FICAR

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?