Die Liebe des Hans Albers

He is considered to be one of the greatest German film stars, Hans Albers, known as "Der blonde Hans", a man made for the cinema. He was an actor, singer, idol of the Germans - and darling of the Nazis. Nevertheless, he could not protect his great love, the Jewess Hansi Burg. In 1938 she had to flee to London from anti-Semitism in Germany. But Albers himself stayed in Germany and continued to film, driven by a desire for a career and the call of money. In 1946, one year after the end of the Second World War, they meet again: Hansi Burg returns to the land of the murderers of her parents in the uniform of the British Army and visits Hans Albers in his villa on Lake Starnberg. He lives there with another woman. The rival has to go, then there is a tense debate. For a day and a night, the blonde Hans has to face uncomfortable questions and even more uncomfortable truths.

David Lean: A Self Portrait

A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.

Dinosaurus

Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.

Chambre 999

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Dracula, l'éternel

New World Order: Communism by the Backdoor

A step-by-step illustration of how institutions including the United Nations and secret societies, such as freemasonry and the European Union, have all played their part in pursuing their end goal. Communism by the Backdoor exposes a tangled web of lies and deceit and shows the very people many regard as heroes, as nothing more than traitors.

Uma Thurman – Die stille Kämpferin Hollywoods

A portrait of American actress Uma Thurman, muse of legendary filmmaker Quentin Tarantino and courageous voice for the many victims of despotic producer Harvey Weinstein.

Woodlands Dark and Days Bewitched: A History of Folk Horror

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

The Secret Masonic Victory of World War II

Western Freemasonry and Eastern communists won WW2, leading to a secret holy war aiming for a one-world government and a single religion in a communist utopia.

Hollywood rueda en España (1955-1980)

The turbulent history of the twenty-five years during which, in the midst of Franco's dictatorship, Spain was turned into an immense movie set on which many foreign production companies shot dozens of films, from westerns to historical epics.

Cannes : Palmes, scandales et tapis rouge

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

The Weavers: Wasn't That a Time

Documentary about the blacklisted folk group The Weavers, and the events leading up to their triumphant return to Carnegie Hall.

Le Cinéma de Jean-Pierre Léaud

A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.

The Simón's Jigsaw: un viaje al universo de Juan Piquer Simón

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

His Name Was Jason: 30 Years of Friday the 13th

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Paul Robeson: 20th Century Renaissance Man, Entertainer & Activist

Paul Robeson was a celebrated African-American Actor, Athlete, Singer, Writer, and Civil Rights Activist. Robeson's many achievements are chronicled in this program, ranging from playing with the NFL to graduating from Columbia Law School, performing on Broadway and in Hollywood films to founding the American Crusade against Lynching as well as Council on African Affairs. Robeson was one of the most talented performers of his time and a dedicated humanitarian who ultimately sacrificed fame and fortune for what he believed in. His association with Leftist Politics during the era of the Cold War, and frequent denouncing of American political parties led to his eventual blacklisting with other prominent writers and artists during the McCarthy Era. His talents in all areas are remarkable, and his dedication to attaining a peaceful coexistence between all the people of the world is truly admirable.

Wasn't That a Time

A look into those convicted by the House Un-American Activities Committee

Bernard Blier, façon puzzle

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

To Tell the Truth: A History of Documentary Film (1928-1946)

A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.

Iron Fists and Kung Fu Kicks

The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.