Miz Cracker's Favorite Haunts

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

Fall 2

Bas Jan Ader rides his bike into a canal in Amsterdam.

Broken Fall (Geometric)

One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.

Nightfall

Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.

Plena Rondo

Discovering Hamlet

IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.

The Sound of Identity

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

И Отново Чувствам Студените Мраморни Стълби

A portrait of a seemingly ordinary house - one that holds cherished memories while also bearing the burden of abandonment and neglect. Revisiting my grandparents’ house, I find myself exploring the intersection of home, nostalgia, and the passage of time while trying to grasp the essence of a place where time seems to stand still.

Pussy Versus Putin

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

Salvador Dalí at Work

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Sandra Bernhard: Confessions of a Pretty Lady

Bernhard, an actress-comedienne whose brassy humor attracts a cult-like following, here offers a semiconfessional view of her life's landscape. Childhood memories of her father, a doctor, and her mother, an artist, are warmly rendered in scenes of the Jewish family amiably accommodating itself to the Christmas season, and of the obligatory communal vacations joined by colorful relatives. The abrupt transition to a flamboyant denizen of "downtowns," Los Angeles or New York, to an existence as a character in the lives of marginal people, is evoked in sharply satirical terms, in a melange of humorous fact and fiction, monologues akin to those that make Bernhard an icon of pop culture.

This Is Not a Dream

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Omniprésence

A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.

Moving Together

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

A Cross the Universe

During the three weeks of Justice's March 2008 North American tour, Romain Gavras, So Me and the band themselves tape every second of their escapades across the country and the chaos that ensued.

The Lure and the Lore

A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.

Cut Piece

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Seedbed

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

Sorry for any inconvenience caused. Warmest, Jamila

Jamila reads aloud a stack of printed emails written to individuals and organisations delaying, postponing, or cancelling work due to illness from her sickbed.

Glittering Misfits

Dirty Martini and Tigger!, stars of the New York underground scene, reveal some of the secrets of their provocative and remonstrative forms of artistic expression in New York’s Off-Off-Broadway. Meanwhile, they will help us to understand from their everyday intimacy the reasons, the struggles and the keys that keep them in their place as the figures and references of the burlesque revival, more than 20 years after the phenomenon exploded in the New York of the 90s.