Tarajal: Desmontando la impunidad en la frontera sur

The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.

Saúde Sem Máscara

Asylrecht

An unclassifiable cross between documentary and fiction, Kipp takes the viewer through refugee camps bordering Soviet-occupied areas of Germany.

Líban, retrat de l'empoderament

Lily: A Transgender Story

Filmed over five years, we follow Lily Jones, 20, as she transitions from male to female, leaves her seaside home for the city, undergoes gender reassignment surgery and finds love.

AN 27

Because I am

Based on a poem by a Zimbabwean LGBT activist written in response to the gay hate speech that is being perpetuated president Robert Mugabe. The film was shot in South East London UK with a cast of six women from several African countries playing multiple roles in this portrayal of being a lesbian in homophobic Zimbabwe. Five of the actors and the producer are refugees who fled their countries in fear of persecution for their sexuality.

Refugee

A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.

Muitos líderes em democracias erraram na pandemia. Ninguém errou mais que Bolsonaro.

Contágio

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

Como a China encobriu a pandemia de COVID-19

Bohemia

When Melbourne’s cultural hub is left devastated post-pandemic, the creative industry, like many others, is ravaged. Set amongst the ashes of the cities arts scene, BOHEMIA is a hybrid of documentary, music video, and next generation concert film that powerfully recounts the story of this fallen angel of Australian culture and asks the looming question: “what now?”. Shadowy underground musician VANTA and debutant director Madeline Royce team up with a decorated collective of young creatives to contend that art in the pandemic need not be a compromise, but an evolution.

Revive the Lira's Glory

Ibrahim Sultani is a 22-year-old architecture major who has a hobby of painting portraits on banknotes. On them, he portrays Lebanese icons from the fields of music, cinema, sports, media, fashion, and many more due to the common appreciation and love that Lebanese citizens share for them. Due to the economic crisis that exists within the country, he hopes his work will give the currency back some of its lost value, at least metaphorically.

Wild is the Spring

Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.

Draussen bleiben

Yalla, Baba!

Lebanese director Angie Obeid embarks on a road trip with her father, Mansour, retracing a journey he made 42 years ago. She tries to reach out to the young Mansour, understand the decisions he made when he was her age, and find common ground. The film explores the challenges and opportunities that arise when navigating the boundaries between tradition and modernity, family and individuality, home and the wider world.

ואלס עם באשיר

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Bohu žel

Hold Out

End of a trilogy started with Hold up and continued with Hold On, Hold out questions the official narrative about the COVID-19 pandemic.

Lockdown Generation

In the beginning it felt like a holiday, then everything changed due to Covid19.